Who is Aristotle?
- Greece
- 384 BC – 322 BC
- First person to put around philosophy in play/story
What were his poetics?
- Attempts to explain poetry and teaches that poetry is divided into three genre; Tragedy, Comedy and Epic Verse: since these are the most common ones
- Not all his words are existent in his book on Poetic
What is Greek Tragedy?
- A dramatic action that might cause the audience to feel emotional imbalance
- Tragedy, then, is an imitation of an action (imitation of reality) that is serious, complete and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions.
An example of a movie or a play that follows Aristotle’s definition of tragedy
- The Fantastic Four: Rise of the Silver Surfer; a change of fortune from bad to good – how he suffered to get over the flaw to turn good.
- The Passion of Christ. Aristotle defines tragedy as “a great person who experiences a reversal of fortune” and that is very true on the life depicted for Jesus Christ.
Aristotle’s 6 parts of Tragedy
1. Plot; the complete content of the story – with beginning, climax and conclusion. (series of incidents taking place)
2. Character; Main character MUST be rich and famous, so that at the end he’ll be taken off the high place that he originally was.
-the protagonist(main character) should be renowned and wealthy/successful, in order for his luck to change from good to bad
3. Thought; the writer’s overall thought to be conveyed to the audience, main purpose of message in tragedy to be well-conveyed.
- Overall thinking/plan in a movie; trying to prove something
4. Diction; the characters’ script.
- What the character says (spoken words)
5. Song or melody; rhythm to voice or sense of music to captivate attention and portray mood better.
- The music should play as an actor too, holding an important role, which brings the audience into the mood of the play
6. Spectacle; not to be distracted by simple stimulations, but also look at the change in atmosphere, etc.
- Simple stimulations to the audience (least important factor)
The “Cause-and-effect” Chain
- Makes up the plot
- Playwright should have effects in mind because he is writing causes. (takes place when planning for a beginning of a plot)
- Both Causes and Effects must not be neglected when writing on the climax, since this series of event and incidents have to have organic unity.
- While writing on the resolution of the play, the “cases” have to be stressed because the playwright is writing on the effects.
How a good plot creates a “unity of action”.
- Events happening in a story must be running smoothly (unity of action).
- Action that leads to each other must remain undisturbed.
- Must remain in same chain.
Episodic Plot (or what Aristotle really didn’t like)
- Just a small part of the story (quite literally where things happen in episodes)
- Storyline has highs and lows but no complete turns into story.
i.e. Jean gets home, then finds a robber has broken in, calls the police and the robber gets caught.
Difference between a Simple and a Complex Plot
- Simple plot: “change of fortune”
- Not tragedy, just something sad
The simple plot is defined as a unified construct of necessary and probable actions accompanied by a change of fortune.
VS
- Complex plot: has to have “peripetia” and recognition “anagnorisis” connected with the catastrophe
WHAT IN THE WORLD IS PERIPETIA?!
ANS: A REVERSAL OF CIRCUMSTANCES
WHAT IN THE WORLD IS KATHARSIS?!
ANS: KATHARSIS IS WHEN A CHARACTER HAS AN EMOTIONAL EPIPHANY, A COMING TO AWARENESS OF AND RESOLUTION AND REMAKING OF SELF – ** EMOTIONAL CLEANSING **
- Audience goes through Katharsis – feeling an emotional epiphany
Katharsis is the term in drama referring to a sudden emotional breakdown or climax that constitutes overwhelming feelings of great sorrow, pity, laughter or any extreme change in emotion that results in the restoration, renewal and revitalization for living.
Using the term “katharsis” to refer to a form of emotional cleansing was first done by Aristotle in his work of poetics. It refers to the sensation, or literary effect, that would ideally overcome an audience upon finishing watching a tragedy. (imposed on the audience)
WHAT IN THE WORLD IS MIMESIS?!
ANS: MIMIC (imitation) – RECREATING LIFE IN THE FAKE FORM.
WHAT IN THE WORLD IS ANAGNORISIS?!
ANS: RESOLUTION – WHEN CHARACTER LEARNS FROM HIS EXPERIENCE. FROM BAD TO GOOD.
WHAT IN THE WORLD IS HAMARTIA?!
ANS: THE TRAGIC FLOW – WHAT CAUSES THE CHARACTER TO GO DOWNFALL.
Definition of a virtuous character
Excellence (of character) is a choice and is not based on our habit. It also actually means the settled condition that we are in when we are well off
Responsibility of characters in an Aristotelian tragedy
Characters are used to differentiate between the good and the bad (to prove that a person has both good and bad sides).
Aristotle’s concept of three-act structure
BEGINNING
-Dramatic situation
-Introduce main characters
-End by an inciting incident
MIDDLE
- “Rising action”
- Depicts the good guy (protagonist) attempting to solve the problems caused by the bad guy (or incident).
- End by the conflict
END
- Resolution
- Subplots